Lyons Lane transported Mercury Lounge into a 50s prom night for their NYC debut, with a suave and fresh take on nostalgic rock. If this first show is any indication, we need to bring Lyons Lane back to NYC.
The night started with The Revel’s sultry guitar melodies. The band brought the energy immediately — sequin jackets, tiny scarves, and all. The production was addicting, and the drums had everyone dancing.
Lyons Lane filled the stage with their six-piece band. The group embodied the prime of alternative rock, down to the greaser hair, footwork, and layered vocal lines. The drum/bass intro to Femme Fatale started our night. From this first song, it was evident that the band loved to perform and woo a crowd. The lead singer, Mark Leo, was sliding across the dance floor with grace -- like the child of Alex Turner and Elvis. The guitarist was smiling and groovin' the whole night. The female vocalist added depth and flirt with her doo-wops. And the saxophonist had a striking resemblance to Kenny G. The band blended perfectly as if they had been playing together for decades, building layers of call and response.
As the show continued, Lyons Lane showed an impressive breadth of sound and musical talent. Most band members joined in on backup vocals throughout the set, giving every song a powerful and soulful texture. Leo turned up his footwork during “Emma’s Addition” and “The Streets We Used to Roam,” twirling around the stage. And they even gave a cheeky shoutout, “this one’s for your girlfriends.” “Stoplight Kissing” felt like the peak of our 50s prom, and we envisioned the crowd in full tulle skirts and tuxedos. The night's climax was “For Josie,” a jolly drinking song that riled up the crowd.
The band gave their twist on classics like Del Shannon’s “Runaway” and Wet Leg’s “Wet Dream,” which they somehow made even more sultry than the original. Leo brought out a gorgeous chrome pink guitar to cover Brenda Lee’s “Sweet Nothin’s” and enunciated, “my baby give me that special look,” with a twang that would make Elvis blush.
Towards the end of the show, Lyons Lane teased some new music, like "Honey Dripped," which featured a dramatic phone call mid-song. Keep an eye out for when they drop this one!
Lyons Lane's cover of the Clover’s “Love Potion No. 9” closed out the night. They make this song their own, speeding up the tempo and featuring a tasteful sax solo that left us craving more of the Kenny-G-lookalike. The night ended with a bang as Leo dropped to the ground in a dramatic end to Love Potion No. 9.
Connect with Lyons Lane on Instagram, Spotify, and their website.
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groovers•August 23, 2025
Jonathan Sherman
Jonathan is a multi-talented creative who bridges the worlds of music and technology. As the CEO and founder of Return Records, he is building a modern record label with a retro-inspired sound. As a Change Manager and Digital Experience Specialist at the World Economic Forum, he focuses on reimagining user experiences. From his early inspirations listening to Bob Dylan and Motown, to his work today as a musician, DJ, and label founder, Jonathan embodies a dynamic and multidisciplinary approach to artistry, proving that music and tech can find their perfect groove.
During golden hour on the rooftop of Return Records (the setting of many music videos and most recently, a songwriting camp), we caught up Jonathan, where he answered a few questions for the groovement:
What was the first concert you attended?
The first concert I ever attended was Bob Dylan in the early 2000s at the Portland Civic Center. At the time, guitar and songwriting were my whole world, so seeing Dylan live left a major impression. I was struck not only by his place as one of the greatest songwriters of all time, but also by his longevity and the way he constantly reinvented his music. It showed me that artistry can be timeless, dynamic, and always evolving.
Where are you from?
I’m originally from Kennebunkport, Maine, though I also grew up in Newton, Massachusetts just outside of Boston. I spent about ten years in Newton and another ten years in Maine before moving to Washington, DC. There, I studied international affairs and economics at American University and later earned a master’s in information technology from Georgetown University. I went on to spend around 12 years working in the government tech sector and entertainment. About two and a half years ago, I relocated to New York City, which has become home and the center of my work in both music and technology.
What do you do?
That’s the proverbial question in New York — and for me, it’s a two-part answer. By night, I’m in the music industry as the CEO and founder of Return Records, a distributed label with The Orchard and Sony Music. We focus on analog and retro-inspired sounds across house, pop, and rock, with the goal of becoming the Motown of the digital era. The label supports artists through live performance opportunities, publishing administration, music distribution, community building, and production.
By day, I’m a Change Manager and Digital Experience Specialist at the World Economic Forum. My work there is about reimagining user experiences for the Forum’s digital products and helping drive adoption of AI tools among staff and contractors. It’s a balance of innovation and artistry — and both sides feed each other in surprising ways.
Who or what do you draw inspiration from?
I’ve always been a multidisciplinary artist, so my inspiration comes from many places.
In music, I’m influenced by Motown, Stevie Wonder, Alicia Keys, Daft Punk, The Strokes, The Black Keys, The Beatles, Bob Dylan, Tears for Fears, Michael Jackson, Wham!, Hall & Oates, and the Philadelphia Sound.
In art, my mother — a visual artist — introduced me to Van Gogh, Picasso, Maurice Utrillo, and the Impressionists.
In fashion, I’ve been drawn to American designers like Tom Ford and Thom Browne, as well as Italian masters like Giorgio Armani.
At the heart of it, I’m inspired by the spirit of 1920s French soirees — where music, art, fashion, and lifestyle merged to create transformative experiences.
What does live music mean to you?
For me, live music has always been about connection. When I was growing up, live performance meant seeing the artist in full — not just hearing their songs, but experiencing their presence and how they connected with people.
Today, I think live music has become something even more multi-dimensional. In a world shaped by digital platforms, social media, and post-COVID virtual experiences, live entertainment is about creating a multi-sensory, emotional connection. A great live show should engage all the senses — sight, sound, even atmosphere — and bridge the digital with the physical. To me, the best performances are immersive, holistic experiences that leave audiences feeling transformed.
Do you play any instruments?
Yes, I play several. I play acoustic and electric guitar, piano and keyboard, and I’m also a DJ, spinning mostly disco house and funky house. I’ve always been both a performer and an instrumentalist. While I don’t claim to be the best among my friends, I’ve always had enough rhythm and grounding in music fundamentals to write songs and shape ideas. From there, I often let performers and producers elevate the work. That’s been my process as a singer-songwriter and it continues in my role as a label founder.
Connect with Jonathan on Instagram and check out Return Records.
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